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Sura is a benchmark film for Vijay, as he celebrates his golden jubilee in the only soil he can shine in. The story has been told before (umpteen amount of times) - a tale of a fisherman, a do-gooder to his fisherman community, head decision maker of the community, who is crossed by a powerful politician to lose all and then regain more.
This dimwitted film is passé for even hardcore fans. On the onset of the shoot there was so much of media glare that set the expectation meter scaling way up and Sura was surely a sought after and anticipated film of the season. Sun Pictures(market leader) decided to back the project and distribute it, and this added to the hype further.
There are lapses in every department, starting from the production, direction, music, choreography, stunts and even comedy. Vijay's team should guess how long they would get away with this kind of fooling the audience.
Rumour has it that once director Gautham Menon had approached Vijay for a film, however this was never done because Vijay had asked him to script a movie around the storyline of his previous films. When you have all Vijay movies turning out in a particular way, you would want to consider the above more than just a rumour.
The direction of SA Rajkumar is clueless and is directionless.
The story revolves around a fishermen village. Although special effects have been used to create the village sets, the core set of the village seems so fake. The shots are also inconsistent.
The editing looks haphazard; certain scenes are so poorly edited that even a layman could tell.
The dances are again repeats of Vijay’s previous films even the famous "hand on bottom" rip-off from Pokiri the leg sequence from ATM. The elastic and acrobat dance caught a fancy in Pradhu Deva's times but looks like it should be rested - it’s an overdose.
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