Alfred Hitchcock is typically remembered as the master of suspense, but in truth, he pioneered just about everything that would eventually become modern cinema. In Psycho, he invented the slasher film. With North by Northwest, he created the notion of the all-action film. While the film has the same sort of twisty-turny plot that we associate with the master, it is defined by its incredible action set pieces.
Everybody knows about the airplane chase with the crop duster chasing Cary Grant through the crops. It's a great scene, sure, but only one of several awesome set pieces in the film. The shootout on the face of Mt. Rushmore is an equally jaw dropping piece of film making, but one of the real crowning moments is the drunken chase. Cary Grant is fed glass after glass of booze and then put in a car with no brakes, so he has to flee the badguys while drunk in a car with a cut brake line!
Modern action films, for all their big budget and star power, rarely have the imagination of this one. There are certainly some exceptions, there are the Crank films, which pile weirdness on top of weirdness, and Shootemup, which had more than enough imagination, but North by Northwest is still a golden standard, and essentially ruins all those boring same-old same-old action flicks.
Context. The main thing this film has is context. Where most action movies will take a hero and some baddies, give them all guns, and call it a day, Hitchcock's hero is not only in a car chase, he's in a car chase drunk, with no brakes. When he gets into the crops to escape the plane, it covers the crops with pesticide.
Hitch was the master of suspense, but he was also the master of putting his heroes in over their heads, and that's how the action in this film works so well. It's never enough for one problem to exist, but Cary Grant could never solve a problem without creating another one. This just plain made for better action.
It's too bad that most people who make action films these days have copied Hitchcock's tropes and turned it into a formula, rather than actually looking at how and why it worked and tried making their own stories from there, coming up with new and fresher ideas.
This film, in addition to some of the greatest action scenes in the history of cinema, also has one of the most explicit love scenes: A train going into a tunnel as the hero embraces the leading lady. It's as direct a metaphor as you could ask for. In fact, Hitchcock couldn't understand the appeal of the X rated films of the seventies since the idea of explicit sex scenes was old news to him!
If you haven't seen it yet, the film is one of the all time great all-action movies, and the one that really gave birth to the genre. Without this film, we wouldn't have Arnold Schwarzenegger jumping out of a plan to catch a parachute in Eraser, we wouldn't have the excess of Kill Bill. It's truly with this film that the concept of big, wild action set pieces really began.
Everybody knows about the airplane chase with the crop duster chasing Cary Grant through the crops. It's a great scene, sure, but only one of several awesome set pieces in the film. The shootout on the face of Mt. Rushmore is an equally jaw dropping piece of film making, but one of the real crowning moments is the drunken chase. Cary Grant is fed glass after glass of booze and then put in a car with no brakes, so he has to flee the badguys while drunk in a car with a cut brake line!
Modern action films, for all their big budget and star power, rarely have the imagination of this one. There are certainly some exceptions, there are the Crank films, which pile weirdness on top of weirdness, and Shootemup, which had more than enough imagination, but North by Northwest is still a golden standard, and essentially ruins all those boring same-old same-old action flicks.
Context. The main thing this film has is context. Where most action movies will take a hero and some baddies, give them all guns, and call it a day, Hitchcock's hero is not only in a car chase, he's in a car chase drunk, with no brakes. When he gets into the crops to escape the plane, it covers the crops with pesticide.
Hitch was the master of suspense, but he was also the master of putting his heroes in over their heads, and that's how the action in this film works so well. It's never enough for one problem to exist, but Cary Grant could never solve a problem without creating another one. This just plain made for better action.
It's too bad that most people who make action films these days have copied Hitchcock's tropes and turned it into a formula, rather than actually looking at how and why it worked and tried making their own stories from there, coming up with new and fresher ideas.
This film, in addition to some of the greatest action scenes in the history of cinema, also has one of the most explicit love scenes: A train going into a tunnel as the hero embraces the leading lady. It's as direct a metaphor as you could ask for. In fact, Hitchcock couldn't understand the appeal of the X rated films of the seventies since the idea of explicit sex scenes was old news to him!
If you haven't seen it yet, the film is one of the all time great all-action movies, and the one that really gave birth to the genre. Without this film, we wouldn't have Arnold Schwarzenegger jumping out of a plan to catch a parachute in Eraser, we wouldn't have the excess of Kill Bill. It's truly with this film that the concept of big, wild action set pieces really began.
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