The film is all about the big, fat wedding, if you may call it that. Nimisha is seen to be generally having a good time around, until the moment of 'enlightenment'. Post enlightenment however, she seems to be some psycho who is after Sreeni, clinging on to his back, and making him realize that perhaps he is in love with her as well. Sreeni, on the other hand seems quite unsure about his feelings for her, and even after the film has ended, one need to look around real hard to see if the man had any feelings for her at all.
'Seetha Kalyanam' revolves around Nimisha, and her psychotic nature cannot be ignored in a hurry. She doesn't take a 'No' for an answer; she never actually gives Sreeni some time to analyze things for himself. She almost always suggests that she is ready to withdraw from the scene, but never means to do so either. Finally, when she does make a dramatic exit, she sees to it that Sreeni has been pushed to a corner, with no chances whatsoever to move away.
Nimisha, as much as she comes across as a diehard romantic, looks like a schemer at heart, with her plans in life plotted right in front of her. Sreeni walks into her life, and the pleasant girl that she is, slowly turns out be a Madonna in Body of Evidence, though she displays none of the malice, none of the spite that Rebecca displays. Instead, she weeps her way into Sreeni's heart, and the man succumbs before her mean spirited plans. The only excuse perhaps for Nimisha is well, that she is in love.
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'Seetha Kalyanam' revolves around Nimisha, and her psychotic nature cannot be ignored in a hurry. She doesn't take a 'No' for an answer; she never actually gives Sreeni some time to analyze things for himself. She almost always suggests that she is ready to withdraw from the scene, but never means to do so either. Finally, when she does make a dramatic exit, she sees to it that Sreeni has been pushed to a corner, with no chances whatsoever to move away.
Nimisha, as much as she comes across as a diehard romantic, looks like a schemer at heart, with her plans in life plotted right in front of her. Sreeni walks into her life, and the pleasant girl that she is, slowly turns out be a Madonna in Body of Evidence, though she displays none of the malice, none of the spite that Rebecca displays. Instead, she weeps her way into Sreeni's heart, and the man succumbs before her mean spirited plans. The only excuse perhaps for Nimisha is well, that she is in love.
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