3 Idiots directed by Rajkumar Hirani is yet another big performance by the diretor after Munnabhai MBBS. Infact, something more entertaining than the latter. Borrowing only scraps from Chetan Bhagat’s ‘Five Point Someone’, Hirani and co-writer Abhijat Joshi churn out some delectable idiotgiri, laced with juvenile humour and tear-shedding moments. The only trouble is that the film’s core message is hammered out so many times that by the end it begins to lose its punch.
Salt water is a good conductor of electricity. Everyone’s read it, but Rancho (Aamir Khan) applied it on his ‘pissed-off’ senior to escape getting ragged on his very first day of the Imperial Engineering College.
An Edison-in-the-making, he believes in striving for excellence rather than success, which, in fact, is the core message of the film.But excellence can’t be had if you strive half-heartedly or fearfully or, worst, mechanically. Thereby come in three more characters - Farhan (Madhavan) who wants to be a wild life photographer but is doing engineering to fullfil his dad’s dream; Raju (Sharman Joshi), a poor lad who’s so afraid of failure that his fear has become a self-fulfilling prophecy; and Chatur (Omi) who’s a learning machine adept at mugging up books.
On top of them is the ever grimacing professor Viru Sahastrabuddhe (Boman Irani), fondly called Virus, telling them that the world’s a rat race in which one has to step on another to get to the top. No wonder the ingenious Rancho is an oddball out in the herd. His questions perplex his professors. And his disdain for the education system that professes learning by rote makes him the arch foe of Virus. Sandwiched between the two foes is Virus’s doctor daughter Pia (Kareena Kapoor) who falls for Rancho but has to face up to her eccentric pa at home.
Shantanu Moitra’s music and Muralidharan’s cinematography complement the flick well. Rajkumar Hirani spins a yarn that despite a few botches has its heart in the right place. For this alone, ‘3 Idiots’ definitely ought to be seen and enjoyed.
Our Rating : 9/10
Saturday, January 2, 2010
Avatar 2009 Movie Review
Avatar is an enormously entertaining piece of screen spectacle that goes a long way toward redeeming the somewhat debased concept of a Hollywood blockbuster. Directed by James Cameron, the movie although it looks seamless and wonderful, its a matter of wonder how worthy it really is to use high-end computer animation to top the next movie in approximating real life.Cameron shows us that in a sci-fi world, creative dimensions are what you devise and, with his skilled and sensual avatars, he has made something to thrill and captivate us--whether its another billion-dollar take or not.
From the music to the muse, this is clearly a James Cameron flick, clearly a masterpiece, and clearly marks a revolution in blockbusters, for if you only see one film in a 3-D cinema this year, make it Avatar.
Like James Cameron's previous film, TITANIC, there are enough good bits to make a really great film and enough bad bits to make a real stinker. Go for what is good and ignore the bad.
There is no underlying novel or myth to generate his story. He certainly draws deeply on Westerns, going back to "The Vanishing American" and, in particular, "Dances With Wolves." And the American tragedy in Vietnam informs much of his story. But then all great stories build on the past ( "Avatar" premiered Thursday in London).he movie is 161 minutes and flies by in a rush. Repeat business? You bet. "Titanic"-level business? That level may never be reached again, but Fox will see more than enough grosses worldwide to cover its bet on Cameron.
What a glory Cameron has created for Jake to romp in, all in a crisp 3D realism. It's every fairy tale about flying dragons, magic plants, weirdly hypnotic creepy-crawlies and feral dogs rolled up into a rain forest with a highly advanced spiritual design. It seems -- although the scientists led by Sigourney Weaver's top doc have barely scratched the surface -- a flow of energy ripples through the roots of trees and the spores of the plants, which the Na'vi know how to tap into.As with everything in "Avatar," Cameron has coolly thought things through. With every visual tool he can muster, he takes viewers through the battle like a master tactician, demonstrating how every turn in the fight, every valiant death or cowardly act, changes its course. The screen is alive with more action and the soundtrack pops with more robust music than any dozen sci-fi shoot-'em-ups you care to mention.
ames Horner's score never intrudes but subtly eggs the action on while the editing attributed to Cameron, Stephen Rivkin and John Refoua maintains a breathless pace that exhilarates rather than fatigues. Not a minute is wasted; there is no down time.
Our Rating : 8.5/10
From the music to the muse, this is clearly a James Cameron flick, clearly a masterpiece, and clearly marks a revolution in blockbusters, for if you only see one film in a 3-D cinema this year, make it Avatar.
Like James Cameron's previous film, TITANIC, there are enough good bits to make a really great film and enough bad bits to make a real stinker. Go for what is good and ignore the bad.
There is no underlying novel or myth to generate his story. He certainly draws deeply on Westerns, going back to "The Vanishing American" and, in particular, "Dances With Wolves." And the American tragedy in Vietnam informs much of his story. But then all great stories build on the past ( "Avatar" premiered Thursday in London).he movie is 161 minutes and flies by in a rush. Repeat business? You bet. "Titanic"-level business? That level may never be reached again, but Fox will see more than enough grosses worldwide to cover its bet on Cameron.
What a glory Cameron has created for Jake to romp in, all in a crisp 3D realism. It's every fairy tale about flying dragons, magic plants, weirdly hypnotic creepy-crawlies and feral dogs rolled up into a rain forest with a highly advanced spiritual design. It seems -- although the scientists led by Sigourney Weaver's top doc have barely scratched the surface -- a flow of energy ripples through the roots of trees and the spores of the plants, which the Na'vi know how to tap into.As with everything in "Avatar," Cameron has coolly thought things through. With every visual tool he can muster, he takes viewers through the battle like a master tactician, demonstrating how every turn in the fight, every valiant death or cowardly act, changes its course. The screen is alive with more action and the soundtrack pops with more robust music than any dozen sci-fi shoot-'em-ups you care to mention.
ames Horner's score never intrudes but subtly eggs the action on while the editing attributed to Cameron, Stephen Rivkin and John Refoua maintains a breathless pace that exhilarates rather than fatigues. Not a minute is wasted; there is no down time.
Our Rating : 8.5/10
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